3 Painting Dulcinea: Italian Art and the Art of Memory in Cervantes’ Don Quijote
Frederick A. de Armas
21 Beyond Our Romantic Agony: Or, Toward a Unified Theory of the Arts, Again
Gerald Gillespie
39 Objects in the Mirror: Gendering the Still Life
Rosemary Lloyd
57 Postmodernism and the Used-Upness of Titles:
A Neo-Baroque Dilemma
Giancarlo Maiorino
101 Interdisciplinarity and Romantic Narrative: Analogues of the Visual Arts in the Literature of the Grotesque, Gothic, and Arabesque
G. R. Thompson
139 Engendering Nation: Las bellas artes públicas
and the Mexican Photoessay, 1920-1940
Esther Gabara
155 Whose Patrimony Is It Anyway? The Quarrel between Ali Baba’s Cave and the National Museums of Morocco
Katarzyna Pieprzak
177 The Desert of the Real: Las Vegas and the Production/Reproduction of the Post-Modern City
Joy Ramirez
193 Longxi, Zhang. Mighty Opposites: From Dichotomies to Differences in the Comparative Study of China
Eugene Eoyang
197 Bouchard, Norma. Céline, Gadda, Beckett: Experimental Writings of the 1930s
Valerio Ferme
200 Webby, Elizabeth, ed. The Cambridge Companion to Australian Literature
Rosemary Lloyd
203 Prieto, René. Body of Writing: Figuring Desire in Spanish American Literature 210 Weber, Samuel. The Legend of Freud. Expanded Edition 213 Shapiro, Gerald, ed. American Jewish Fiction: A Century of Stories 217 Moraru, Christian. Rewriting: Postmodern Narrative and Cultural Critique in the Age of Cloning 221 Cheyette, Bryan, ed. Contemporary Jewish Writing in Britain and Ireland 224 Budick, Sanford. The Western Theory of Tradition: Terms and Paradigms of the Cultural Sublime 226 Brooks, Peter, and Alex Woloch, eds. Whose Freud? The Place of Psychoanalysis in Contemporary Culture
Karen Pinkus
Adam Rovner
James Schiff
Jeremy Shere
Steve Wall
Kevin R. West